28.6.11

NYLON

It's hard to wrap your head around the scale of New York and London as they are so topographically different.
London is a complete mess of roads neatly organised into concentric zones that seem to spread out forever until suddenly it hits the M25 motorway and becomes farmland.
New York is a neatly organised set of roads set on to a mess of islands and inlets and seems to be encircled by endless suburbs with farmland somewhere way down the I95 highway.

I made loads of versions of these maps in some sense to put my two realities together, they somehow help me better contextualise and understand my place in these two twin cities (fraternal twins of course)
























25.6.11

Trial of The Mariner

Set in a dystopian future, 8 sailors venture into the radioactive oceans to discover new resources, to their horror they become stranded upon the Plastic Continent floating around the North Pacific gyre where the Skipper, the last remaining survivor is taken to trial by the Plastic Creatures for crimes against Nature...

Described as a performance of 'deranged genius', our latest production by Lotos Collective

www.trialofthemariner.com



Created with Admarket's flickrSLiDR.


Click here for behind the scenes rehearsal shots!

20.6.11

Art, Time and Experimentation at Long Player in Trinity Buoys Wharf


LONG SUMMER EVENINGS AT TRINITY BUOY WHARF WITH LONGPLAYER

A SERIES OF TALKS AROUND THE THEMES OF ART, TIME AND EXPERIMENTATION

FEATURING: RICHARD WILSON (ARTIST), ANDREW KOTTING (FILM DIRECTOR), IAIN SINCLAIR (WRITER), PAUL SHEPHEARD (ARCHITECT AND WRITER), DAVID ROONEY (CURATOR AT SCIENCE MUSEUM)

JUNE 29th 6pm – 9pm Launch

Arrive between 6pm and 7pm to gain rare evening access to Longplayer, Jem Finer’s 1000 year musical composition that has been playing from the lighthouse at Trinity Buoy Wharf since the first moments of 2000.

Richard Wilson is to open with a one-off performance lecture ‘THE BUTTERFLY EFFECT’. Wilson will be showing his rarely seen films in a talk about his use of films in sculptures.

7pm at The Lighthouse, Trinity Buoy Wharf, Orchard Place, London E14 0JW

28th of July: Paul Shepheard to present a talk entitled ‘The Bowl of the Horizon’

7th of September: Andrew Kotting and Iain Sinclair to present on the Long Pedal and their new collaboration SWANDOWN’

28th of September: David Rooney to present ‘Navigating experimental invention, survival and destruction: the Royal Observatory and GMT’

For more information visit http://longplayer.org

Free admission, to book email: lara@longplayer.org

Race as Military Propaganda



I was researching the Detroit race riots of 1943, when I came upon some Japanese propaganda duringWorld War 2. This lead me to this incredible website: Psychological Warfare, Psychological Operations (PSYOP), Black Propaganda, and Aerial Propaganda Leaflets.

Check out the race as military propaganda page

7.6.11

The Argument Room









The Argument Room is a live, interactive debating forum involving two people, branching out from this to reach an unlimited number via the web. Its primary concerns are the arts and social justice.

Coming Up:

June 16th Juliet Lyon, Director of Prison Reform Trust
July 21st Chris Goode, actor, writer and director

A great new streaming format for interaction and debate. Worth checking out

http://www.theargumentroom.net

The Journal for Artistic Research

The Journal for Artistic Research (JAR) is an inter-national, online, Open Access and peer-reviewed journal for the identification, publication and dissemination of artistic research and its methodologies, from all arts disciplines. With the aim of displaying practice in a manner that respects artists'
modes of presentation, JAR abandons the traditional journal article format and offers its contributors a dynamic online canvas where text can be woven together with image, audio and video. These research documents called ‘expositions’ provide a unique reading experience while
fulfilling the expectations of scholarly dissemination. 

http://www.jar-online.net/

Budget Cuts Mural @ Bucks New University

Somehow the University gave me free access to create a mural about the budget cuts just in time for the visit of University Minister David Willetts. I'm told her was steered clear from ever viewing it on the day he came to campus. Nevertheless a great endeavour and mention in this article of Times Higher Education.

Click for Link to Article


Created with Admarket's flickrSLiDR.

21.2.11

The Economist Intelligence Unit’s Index of Democracy 2010




This is the third edition of the Economist Intelligence Unit’s democracy index. It reflects the
situation as of November 2010. The first edition, published in The Economist’s The World in 2007,
measured the state of democracy in September 2006 and the second edition covered the situation
towards the end of 2008. The index provides a snapshot of the state of democracy worldwide for
165 independent states and two territories—this covers almost the entire population of the world
and the vast majority of the world’s independent states (micro states are excluded).

The Economist Intelligence Unit’s Index of Democracy is based on five categories: electoral process and pluralism; civil liberties; the functioning of government; political participation; and political culture.

Countries are placed within one of four types of regimes:
Full democracies
Flawed democracies
Hybrid regimes
Authoritarian regimes

Full PDF of the report can be downloaded from the Economist Intelligence Unit but requires registering, otherwise you can see it here.

15.2.11

'...interstitial, unoccupied spaces at the edges of the interstate...'




The Edge of Light: Wendover is a poetic study of landscape, environment, development and isolation in what the artists Brian Rosa and Adam Ryder describe as 'the border of nowhere and nowhere' in the US.

What is striking about these photos is the stillness and isolation in the images, confusing the viewer as to wether the subject is that which is being lit or the light itself. Though the exploration sought out the edge of light, its the degrees of dark that become most heightened. Light at dawn or is it dusk? Artificial or natural? Either way there remains a sense of deep sleep in the photo essay. It makes us question not only how we use light but how we use the landscape. Its no wonder its a result of a residency at the Center for Land Use Interpretation

For a comparable study of light and subject, see Peter Di Campo's photo study of Ghana at night via flashlight Life Without Lights recently published in the NYTimes. 

1.2.11

Memorial Mapping - For Olivier Ruellet


Created with Admarket's flickrSLiDR.


Site space city system social sounds sights city same nonsense no sense sense senses sensing....
Was it Paris - London - New York? New York - Paris - London? London - New York - Paris?
There is magic in a city, creeping beneath the concrete pavements, behind metal and glass towers, running through rusted pipes and telephone wire.
We don't always see this current, that actually keeps us going. We go for surfaces.
Surface heat, surface texture, surface tension.
But then there's a viewpoint, a point of view, an opinion, an imagination.
A moment in time when we allow ourselves an expanded outlook and lift our eyes from our assumed roles, present positions, sought after goals, endless tasks and matters of consequence.
A moment when we remember this life we're living is the most engaging piece of theatre of all time, but we put it on pause.
And when we pause that streaming film of information our eyes glaze over, finally resting for one moment on the invisible.
The visible invisible.
The tangible intangible.
Sometimes we're lucky enough to stop the thundering of our critical egos marching in our heads and listen.
And we listen...
Listen...
That sounds....
Those sounds....
This moment when we become present, when we communicate in 140 characters or more. Some of which are inferred some of which are silent.
When the buzzing background of late night drinks and early morning alarm clocks is like a distant dream and we find ourselves floating in a sea of nothing.
And you were there.
And I was there.
But I didn't know it, I don't remember it, I just know I was.
I know because now you are still there and I am still here, we are still here and we know you are there, but we don't know where there is because we barely know where here is.
We're barely here at all.
And back to the present.
To this moment - To this city, this neighbourhood, this park, this construction.
And here we are, we know we're here but are you here?
Can you hear?
Hey, can you hear me?
...
I swim through the streets of New York, I swim through the streets of London, I swim through the streets of Paris and in this underwater world I breathe the air we breathed together.
And I see the city, the hard city gone soft, its shell cracked, its magic seeping through.
I take a moment....
Breathless...
Floating...
Watching...
Eyes wide wondering: if we just hang on to that magic we'll be able to see like this forever.
Eyes wide, forever.

25.1.11

Action Weekend - performance in London


February 4th+5th is ACTION WEEKEND @ performancespace 7pm onwards


A collaboration between Artevict and Performance Space
]performancespace[+++ArtEvict at ]performancespace[ 


Friday 4th February
Victoria Gray 
The Greestone Group 
Jamie Lewis Hadley
Stephanie Hurst
Helena Hamilton
Hugh O'Donnell
Maria dos Milagres 
Roberto Sanchez-Camus
Johannes Blomqvis


Saturday 5th February
Leibniz
Nathalie Bikoro
Mark Greenwood
Scarlet Lassoff
Nathan Walker
Htein Lin
Group Action


Facebook


]performancespace[ Unit 6, Hamlet Industrial Estate, London, E9 5EN


Overground: Hackney Wick Bus: 26,388, 30, 276, 488, UL1

Inside Art: Young Offenders showcased at National Gallery









Inside Art is an outreach programme, which aims to engage young offenders in creatively responding to the National Gallery’s collection; it has been developed in partnership with HMYOI Feltham, a juvenile prison and young offenders institution for young men aged 15–21.


8 February – 25 April 2010