28.3.09

San Fabiola


Acquired this needlepoint of San Fabiola, a piece of the puzzle in Francis Alÿs' investigation into the myth of this image. Over the last two decades he's collected hundreds of these...

Reference Link




Provenance: Brick Lane Backyard Market, July 2008, £25
Notes: Corresponds closely in dimensions to Alÿs collection lot 170

28.2.09

Ensemble of Interstices

I'm currently researching micro-stories and place-making for the Beirut project this summer. I think this poem is a great metaphor for using those important elements in-between the everyday that may actually be holding us together:

The Picket Fence

One time there was a picket fence
with space to gaze from hence to thence.

An architect who saw this sight
approached it suddenly one night,

removed the spaces from the fence,
and built of them a residence.

The picket fence stood there dumbfounded
with pickets wholly unsurrounded,

a view so loathsome and obscene,
the Senate had to intervene.

The architect, however, flew
to Afri- or Americoo.

by
Christian Morgenstern
English translation by Max Knight
Original version:
Der Lattenzaun

Es war einmal ein Lattenzaun,
mit Zwischenraum, hindurchzuschaun.

Ein Architekt, der dieses sah,
stand eines Abends plötzlich da -

und nahm den Zwischenraum heraus
und baute draus ein großes Haus.

Der Zaun indessen stand ganz dumm,
mit Latten ohne was herum.

Ein Anblick gräßlich und gemein.
Drum zog ihn der Senat auch ein.

Der Architekt jedoch entfloh
nach Afri- od- Ameriko.

8.2.09

The Art of Participation


SFMOMA Exhibition
Looking back nearly 60 years across a wide spectrum of genres and media, this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process.

26.1.09

Inauguration Trip













It was really odd to attend the inauguration. I wanted to write about the extreme joy and passion and love and life but actually I can't say thats what I saw. The TV seems to portray that really well, throngs of people cheering and crying, but I think the reality was much more subtle than that. In many ways much more intense.

The journey really began waiting at Penn Station at 5am in a freezing cold New York. Everyone seemed silent in their down jackets and Obama pins as we scuttled into the warmth of the bus. There wasn't much enthusiasm, more a blanket of sleep as we drove out of the city past the industrial landscape of New Jersey. After London, America's general structure looks so industrial, a homage to post-WW2 might. Enormous steel bridges crossing wastelands of industrial parks, endless electric towers, vast lots full of new cars, impressive electrical plants that look like miniature cities condensed into a jumble of metal, lights and plumes of smoke five times their size moving up into the distance...

I thought about rolling across America in a bus, how many of us coming from so many diverse places, as I stared out the window watching the sun come up on this bleak man-made horizon. I woke up later to snow covered rocks and trees as we made it past the Delaware River. Well anyway I imagined it was the Delaware River and that George Washington nowadays couldn't even fish there if he tried, but it still looked majestic with its frozen slabs colliding in the currents.

I noticed something else as we drove into the suburbs of D.C., a real lack of flags. This mad pro-war nation seems to suddenly be ashamed of itself, all those trite images of patriotism tucked away into attics for the next big war. Just a few well graphic designed Obama-Biden lawn placards could be seen placed neatly in front of the houses like a frozen herald.

By the time we arrived the bus was buzzing, everyone was chatting about strategies for getting into the Mall, passing around maps and their iPhones with live TV streaming of the millions. The guy in front of me was African and had a huge bag with mini-pillows connected to a suction cup on a string, presumably for your car windshield. On one side was an American flag and other Obama's face, fairly pixelized, the whole thing trimmed with gold tassle. He was traveling with a Central American man he had hired to help him sell his wares, who was very excited because he had never been to D.C. before.

The metro was full, people from all over America, but also all over the world. I had to help two Italians buy their tickets. The Junkie with the tear drop tattoo on his eye and spider web on his neck was upset the machine took his quarter and it was all the money he had to get into the centre of town....

D.C. was packed like a factory farm. So completely controlled, tall metal gates you couldn't throw a candy bar threw blocked off areas in a labyrinth pattern. If there's something this government knows how to do is control people. I was impressed at how managed the flow through the city was. As we moved towards the only suggested accessible gate to the mall, what struck me most was the amount of hawkers: t-shirts, pins, stickers, hats, scarves, calenders, "official" passes. There was also the incredible amount of special-interest groups giving out information, like the map of the city that doubled for some Church, or the Vegan postcard of Obama.

We never made it to the Mall. By the time Obama was being sworn in we were still marching along with hundreds of thousands of others who had no idea where to go. A delivery man with a sandwich cart and a transistor radio stopped in the middle of the street and aired Obama's speech. We stood huddle around it, such an incredible range of people, all shapes sizes ages nationalities colours creeds, just in this one little ad-hoc group.

People hugged their kids tighter, and some tears flowed and everyone seemed relaxed and content. We applauded and nodded to eachother and smiled. It was such a small little group on this oasis of millions, standing around together sharing this moment. I thought to myself this is exactly the point isn't it? This notion of community felt so very present....

We applauded the end and disbanded into the city again.... As we walked by Airforce1 carrying Bush flew violently by and people cheered his departure. Not angry and not violent, but relieved. Then the millions began pouring out of the Mall, we had been a block away after all.... What a sight, can you imagine 2 million happy people? Not ecstatic, not chanting not a rock concert, but just happy. Happy, content, relaxed, relieved. We walked with the flow and everyone smiled, walked slowly and carefully, didn't push or fight. It was so impressive....

Of course I was wearing my white top hat and angel wings I had made.... In the front in silver it said "Angel Obama" and on the back it said "Hello World, We Are Back!" I don't recommend wings for large crowds of millions by the way... One woman came up to me and said "Back from what?" I felt immediately defensive and without looking at her said "Back from the dark ages of these past 8 years". She laughed and responded: "Honey, that was the inquisition!"

For whatever its worth and whatever may happen in the future, I am glad that for one moment in time in this short history we spin, I stood around with 2 million people and just felt happy, I mean thats gotta change something!!!

Beirut Project














I am happy to announce a new collaborative performance project, aimed for July/August 2009 to take place in Beirut, Lebanon. I'll be collaborating with Zoukak Theatre Company and Cultural Association to produce a Live Art event.
Details to follow....
Check out my Beirut travelogue from my first trip in Nov

7.11.08

Beirut Travelogue

Wandering around Beirut, got lost and found an internet place so thought I would drop in a do a quick travelogue...

Have only been in the city 48 hours and leaving in another 48, but am really looking forward to coming back and doing a project. This is a place moving as quickly as possible away from its past. The streets are busy and feel very safe, there are cafe's, bars, restaurants both trendy and backwater catering to the glamorous and steadfast locals. The people are incredibly friendly and even in South Beirut where UMAM, the cultural centre I visited is and also the Hezbollah area, it feels relatively at ease, with its backdrop of gunned walls and posters of martyrs. Most of the damage obstructed by advertising for various things to beautify your life, one enormous billboard for a make-up artist...

Senaya house, the flat/open source culture centre I am staying at is huge, its really feels like I am back in Naples, gorgeous tiled floors, 20 ft cielings and enormous doors leading to balconies where I can watch the bored police soldiers pace back and forth with their machine guns drooping at their sides desperately trying to entertain themselves by counting cracks in the pavement. But their presence is no more menacing than the robo-cops at Waterloo or Grand Central Station...

I bought Obama's first book at the airport in London and proudly promoted it my whole flight here to many happy responses. Never before have I crossed into a border with a US passport feeling so unashamed, knowing that regardless of his policies and politics, his symbol would be remembered forever. I had an amazing conversation with Mustafa, the caretaker at UMAM about Bush, Obama, Allah, Marriage and life in general. He speaks not a word of English and me not a word of Arabic but it was certainly an in depth analysis of the world!

This eve is the opening of the show I am helping install, My Place in Between, so I am sure I will get to see some nightlife and network like mad!

13.10.08

Mapping Divergence - Exhibition














Works by three artists surveying landscape, architecture, presence and psychology.


14th thru 19th October 2008 open daily 10:00 to 19:00
Private View: Tuesday 14th October 18:00 to 22:00

The Rag Factory (Brick Lane)
16-18 Heneage StreetLondon
E1 5LJ
T. 020 7650 8749 F. 020 7092 9099

Rachael Champion, Rania Bellou and Roberto Sanchez-Camus present an exhibition of new works that survey landscape, architecture, presence and psychology. These three artists have brought together their differing works developing an exhibition that engages viewers on a trajectory through installation, video, painting and live art. Mapping Divergence delivers a varied body of work, which presented together spark a critical dialogue within the exhibition space.

Rachael's sculpture and installation work engages industry and architecture with interactive situations and physical experiences. Rania's video and installation work investigate the relationship between space, time and perception of the real or the "deformed" sphere of imagination. Roberto's work researches momentum and occurrences through the human condition in paintings, video and performance.

In Mapping Divergence, the viewer is confronted with human social/spatial relations, evoked through an assemblage of landscapes, characters, and machines.

mapping.divergence@gmail.com http://www.trebler.blogspot.com/

St. Christopher's Hospice










Working part-time as a community artist in the Arts for Life project of St. Christopher's Hospice. Will be bringing my skills as a live artist and educator to palliative care, and recovery/nursing homes in South London.

For more on the Hospice: www.stchristophers.org.uk

19.9.08

Lecturing

Have been invited to develop and teach a new course at Buckinghamsphire New University entitled "Events and Audiences". 

The course will invite students to think outside the box, utilising the social sphere as a place of engagement and encounter, taking into consideration who is the potential audience and what may be the message to communicate.

Also teaching "Devising Practice" at Royal Holloway. Similiar to the class I taught last year at Brunel University, though with a more theory-based foundation.

6.9.08

Schloss Lüntenbeck Performance



Created with Admarket's flickrSLiDR.


This performance was truly an amazing experience. 

Alexa and I met Annette Schulze-Lohof in Hallein, Austria during a Fluxus workshop with Geoffrey Hendricks. Her performance actions are absolutely poetic and simple. She recently sat in a local square in Germany with 30 newly hatched chicks, picking them up gently one at a time until they fell asleep in her warm hands. Then placed them down and repeated the mesmerising process with another. 

There were many facets to this piece, Annette with her fish, Alexa with her wine, and me with the earth. We each went about our performance actions for a period of an hour, constructing this 20 metre table, upon which our various elements would cross, mix and through their interrelating, develop all new meanings and connotations. 

Conference Paper: Aesthetics and Applied Live Art













Wednesday 3rd September to Friday 5th September

As part of the Applied Practice Working Group, I presented a paper entitled: Aesthetics and Applied Live Art at TaPRA conference in Leeds


There's a lot I could write to respond to this, beginning with being the "practitioner" in an academic circle to now being the "academic" when around practitioners/production people.

I've added the paper I presented to my website for public scrutiny, if anyone feels like reading and responding:  


What I can say now was the similarity between TaPRA and the many other organisations I have been a part of. Of course with the difference of content, the working group reminded me of working at the non-profit in Brooklyn and the voting and general organisation reminded me of my self-managed coop building in NYC. In essence the organising and presenting format model was in place everywhere and very similar if not the same. I guess it works is all, makes me wonder again about why it doesn't in government, maybe it just gets so big it stops working. Thats the optimistic viewpoint, I just think its greed...