26.8.10

Art in Odd Places

Bokyung Jun
















A festival exploring the odd, ordinary and ingenious in the spectacle of daily life.

Art in Odd Places aims to stretch the boundaries of communication in the public realm by presenting artworks in all disciplines outside the confines of traditional public space regulations. AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.


5.8.10

Invisible Topographies - Blind-folded walks at the end of the trainline

Back from the Rifrazioni residency... completed three separate one-to-one performances based on a blind-folded walk through a specific location. It was in interesting experience, the festival organisers where really hard-working and dedicated. And apart from the chaotic environment of 30 or so artist in a concrete state school overlooking the mediterranean sea, I was able to carve out some thinking space....

My original intention was to create one walk and repeat it in various sites but it became clear that each site had its own significance I wanted to respond to, and metaphors I wanted to create. So I ended up devising three narrated walks that took in the local environment - part fact part fiction - and in all cases were a parallel to how I sensed each space reflected the larger landscape of the city and the culture around it...

Anzio and Nettuno are these twin cities bordering each other and hugging the Mediterranean.

Like good siblings they compete incessantly and draw their own identities in their comparisons. Though at first glance the sun, the beach, the tans, the streets, the palm trees have this really elevating holiday feel, in actuality I sensed a deep tremor of insecurity, struggling identity and financial pain. But can't this be said about everywhere and everyone?

The three sites were the Medieval quarter of Nettuno, The port of Anzio and the train station of Nettuno. I mixed the actual inhabitants of each area with metaphorical ones, shadows of people who existing in each place and who in some ways I felt represented the spirit locked in the brick and mortar. I'd give more away but I plan to translate the walks back into English from Italian and give them in London as part of the Translocated preview coming up in a few weeks...

It was great to put the dvd of life on pause and go into a totally new situation to create and make. After burning the candle on both ends with the PhD and teaching, being free and creative helped me bring all the loose threads of my interests together and create something that I felt was really successful.  The participants emerged from the walk, opening their eyes somewhat dazed, and often sought me out to give me a big hug and thank me, which was really nice...

After all each walk was really just an analogy of our own lives, how does waiting at a train station for days, years, ages, reflect how our own longing for something? The port, with its fishing industry, seemed like the womb of the city, from where it was born to grow upon on the shores and then die back into the sea. The waves were like each generation, you barely had a chance to grow big and strong before you were collapsing upon the shores staring back at the next generation that took your place....

Well the sun is still shining in London today so alas back to work, check out some of the other festival artists and their work, interesting stuff...

13.7.10

Rifrazioni V Edizione: Live Art Festival


Will be completing a residency in Italy for this festival:

http://www.rifrazioni.org/

check them out on facebook as well:

http://www.facebook.com/rifrazioni?ref=ts

Works examine site, locale, history, memory...

I'll be devising a one-to-one blindfolded performance tour that corresponds to the location and the participants palm lines.... Did an experiment here in London, read the review here: http://www.ctrl-n.net/journal/archives/blind-stories-blind-walks-the-cinema-of-the-mind/

24.6.10

Home: Our Cities Ourselves

Our Cities Ourselves matches ten of the world’s leading architects with ten of the world’s most fascinating cities. It helps us imagine those cities in 2030, when 60 percent of the global population – or five billion people – will live in urban areas, mostly in the developing world.

www.ourcitiesourselves.org

22.6.10

Summer Solstice and Documenta


























Still going strong Documenta (13)'s first artwork was inaugurated on June 21st, 2010 at 12 noon, an auspicious date as its also when I was born!

The work was Giuseppe Penone's Idee di Pietra (Ideas of Stone) in the Auepark of Kassel.

The Documenta started in 1955 and takes place every five years since 1972. I love this website as it really maintains a retro feel:

www.documenta.de

7.6.10

I'm With You - Performance Series


















Saturday 12th June, 2010 from 3pm to 8pm.

‘I’m with you’ is a series of performance events, mostly taking place in houses and gardens but sometimes other types of places. The third installment of "I'm with you" on will open 3 gardens in and around Lower Clapton.

219 Glyn Road • 74 Mayola Road • 72 Powerscroft Road

Arrive at 219 Glyn Road for a map and schedule of events (free entry to entire event).
Durational performance, short acts, and installations.

WITH:
Ania Bas
David Cranmer
Alun Davies
Anastasia Dumarey (VA London)
Sharon Husbands w/Oriana Fox
Oliver Hymans
Vasileios- Pavlos Kountouriotis
Barbara Lambert
Johanna Linsley
Arkem Mark
Jan Mertens
Owen Parry
Herbert De Colle & Hannes Ribarits
Alexa Reid
Olivier Ruellet
Roberto Sánchez-Camus (with Yasmin Ghrawi)
Helena Walsh

The event will end with a group interactive performance at 72 Powerscroft Road at 19:00
- come and join in the act!

Check out the event on facebook: http://bit.ly/dAvTGq

Print Event Map: http://bit.ly/9pBvMA

You are invited to attend some or all and join in celebration after at the local

www.imwithyouclapton.wordpress.com

16.5.10

Sarah Cole and Coram Young Parents: Smother













Went to see this latest Artangel Interaction commission at a unique triangular-shaped empty house on Farringdon Street. The work was created by Sarah Cole in collaboration with young single mums at a drop-in centre. Cole populates the house with an eerie combination of installation, performance, sound and lighting that makes the space feel like a faded memory that refuses to be exorcised. The small cramped floors and large bright windows play with the internal/external of space, memory and storytelling. Its excellent to engage the stories of lives that are not often heard...


An Artangel Interaction Commission
13 May - 5 June 2010
Thursday, Friday and Saturday evenings only; 5-8 pm
Starts from Clink Hostel, 78 Kings Cross Road, London, WC1X 9QG

Conceptualised and developed with a group of parents from age fourteen to mid-twenties and their children, Smother encapsulates the vastly different experiences of these young mothers and fathers as they pass through weekly drop-in sessions at Coram.

Smother has been developed over nine months through a series of workshops and discussions. Artist Sarah Cole worked with composer Jules Maxwell and the young parents to direct an experience that offers the audience a rare invitation into an honest and intimate personal space.

The Coram Young Parents drop-in is a weekly opportunity for young parents to share experiences and find support with a wide range of issues whilst their children can play in a stimulating environment.

Hans Rosling's new insights on poverty

Why you should listen to him:
Even the most worldly and well-traveled among us will have their perspectives shifted by Hans Rosling. A professor of global health at Sweden's Karolinska Institute, his current work focuses on dispelling common myths about the so-called developing world, which (he points out) is no longer worlds away from the west. In fact, most of the third world is on the same trajectory toward health and prosperity, and many countries are moving twice as fast as the west did.

http://www.ted.com/talks/hans_rosling_reveals_new_insights_on_poverty.html

2.5.10

Youth Visions Documentary Screening in Ghana, West Africa












Screened the documentary of the project Youth Visions we created two years ago, a collaboration between myself and Sebastian Fuller who was working with Youth Development Alliance in the Northeastern region of Ghana. We merged my arts practice with his public health work to create a new model of disseminating the HIV/AIDS prevention material. We worked with two different schools, one in a village and one in a city to create a mural and a performance. Participants also went on a radio programme hosted by DJ Kimo of URA Radio Bolgatanga, Part of the project was documenting the process with the students who helped film their work. It was delayed two years but finally thanks to the work of filmmaker Malina de Carlo the footage was edited and a story created from the piles of footage.

Returning to show the film was intense. A 10-day tour that included screenings in three different locations, including an outdoor projection on the side of the school in the village of Kongo, where dry thunder came overhead whilst the movie played to a host of villagers who arrived to see the event... (pic above)

Most of our students were in their last year of school when we ran the project so after two years many had moved to other cities, gone to university, gotten married and had kids and so forth.. But we did have a couple attend, one student Lucy bused into Accra for four hours to attend a screening. She wore the Youth Visions t-shirt we gave them on the last day, it was stark white and new, she had saved it for the two years awaiting our return as we had promised we would. This really filled me with happiness to be able to return and deliver an impressive film marking a great project. Our facilitators flew in from California and China to be there for this as well! Was intense all around...

Read more about the project here: link

See photos here: link

Movie will be screened at the Brunel University School of Arts Postgraduate Researching the Arts Conference on Wednesday May 19, 2010 throughout the day. link

1.4.10

South London meeting for Artists working in Social Care













St Christopher's Hopisce is hosting a forum to bring together a broad range of artists and musicians who work in health and social care across South London or who have an interest in developing work in the area.
Although there is a special interset in end-of-life care, working in care homes and demenita, anyone using, or interested in using, the arts with any client population is welcome.
At this introductory meeting, there will be an opporunity to present your work and discuss ideas and interests. There will also be time to discuss the need for an ongoing platform to share ideas and experiences in the future.

All are welcome to attend and share your work, thoughts and ideas:

14th April between 6 and 7.30pm

St Christopher's Hospice
51-59 Lawrie Park Road
London SE26 6DZ
tel 020 8768 4500
or email info@stchristophers.org.uk
http://www.stchristophers.org.uk

28.3.10

Violent Flash Mobs

Interesting article about youth gatherings turned into violent rushes through civic areas:
From NYTimes:
PHILADELPHIA — It started innocently enough seven years ago as an act of performance art where people linked through social-networking Web sites and text messaging suddenly gathered on the streets for impromptu pillow fights in New York, group disco routines in London, and even a huge snowball fight in Washington.
Young people filled South Street in Philadelphia on Saturday in what officials said was the latest flash mob to turn dangerous. Seth Kaufman was injured in the flash mob Saturday, which he called “a tsunami of kids.” But these so-called flash mobs have taken a more aggressive and raucous turn here as hundreds of teenagers have been converging downtown for a ritual that is part bullying, part running of the bulls: sprinting down the block, the teenagers sometimes pause to brawl with one another, assault pedestrians or vandalize property.
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