Mapping Divergence - Exhibition

Works by three artists surveying landscape, architecture, presence and psychology.

14th thru 19th October 2008 open daily 10:00 to 19:00
Private View: Tuesday 14th October 18:00 to 22:00

The Rag Factory (Brick Lane)
16-18 Heneage StreetLondon
E1 5LJ
T. 020 7650 8749 F. 020 7092 9099

Rachael Champion, Rania Bellou and Roberto Sanchez-Camus present an exhibition of new works that survey landscape, architecture, presence and psychology. These three artists have brought together their differing works developing an exhibition that engages viewers on a trajectory through installation, video, painting and live art. Mapping Divergence delivers a varied body of work, which presented together spark a critical dialogue within the exhibition space.

Rachael's sculpture and installation work engages industry and architecture with interactive situations and physical experiences. Rania's video and installation work investigate the relationship between space, time and perception of the real or the "deformed" sphere of imagination. Roberto's work researches momentum and occurrences through the human condition in paintings, video and performance.

In Mapping Divergence, the viewer is confronted with human social/spatial relations, evoked through an assemblage of landscapes, characters, and machines.

mapping.divergence@gmail.com http://www.trebler.blogspot.com/

St. Christopher's Hospice

Working part-time as a community artist in the Arts for Life project of St. Christopher's Hospice. Will be bringing my skills as a live artist and educator to palliative care, and recovery/nursing homes in South London.

For more on the Hospice: www.stchristophers.org.uk

Lecturing

Have been invited to develop and teach a new course at Buckinghamsphire New University entitled "Events and Audiences". 

The course will invite students to think outside the box, utilising the social sphere as a place of engagement and encounter, taking into consideration who is the potential audience and what may be the message to communicate.

Also teaching "Devising Practice" at Royal Holloway. Similiar to the class I taught last year at Brunel University, though with a more theory-based foundation.

Schloss Lüntenbeck Performance

Created with Admarket's flickrSLiDR.

This performance was truly an amazing experience. 

Alexa and I met Annette Schulze-Lohof in Hallein, Austria during a Fluxus workshop with Geoffrey Hendricks. Her performance actions are absolutely poetic and simple. She recently sat in a local square in Germany with 30 newly hatched chicks, picking them up gently one at a time until they fell asleep in her warm hands. Then placed them down and repeated the mesmerising process with another. 

There were many facets to this piece, Annette with her fish, Alexa with her wine, and me with the earth. We each went about our performance actions for a period of an hour, constructing this 20 metre table, upon which our various elements would cross, mix and through their interrelating, develop all new meanings and connotations. 

Conference Paper: Aesthetics and Applied Live Art

Wednesday 3rd September to Friday 5th September

As part of the Applied Practice Working Group, I presented a paper entitled: Aesthetics and Applied Live Art at TaPRA conference in Leeds

www.tapra.org

There's a lot I could write to respond to this, beginning with being the "practitioner" in an academic circle to now being the "academic" when around practitioners/production people.

I've added the paper I presented to my website for public scrutiny, if anyone feels like reading and responding:  

> >  Aesthetics and Applied Live Art  < <

What I can say now was the similarity between TaPRA and the many other organisations I have been a part of. Of course with the difference of content, the working group reminded me of working at the non-profit in Brooklyn and the voting and general organisation reminded me of my self-managed coop building in NYC. In essence the organising and presenting format model was in place everywhere and very similar if not the same. I guess it works is all, makes me wonder again about why it doesn't in government, maybe it just gets so big it stops working. Thats the optimistic viewpoint, I just think its greed...

Masterclass with Andreji Zholdak

Was awarded a bursary to attend this workshop, conveniently timed for the TaPRA conference in Leeds.

ANDRIY ZHOLDAK IGNORES THE PRINCIPLES OF DRAMA  

I made it through one day of the workshop. Was mistakenly under the impression that he was more of a visual performance maker, like Kantor, but turns out his philosophy is building off the Stanislavski-Meyerhold-Grotowski tradition, of which I suppose he sees himself as the continuum. If you are into that kind of actor tradition then this is for you. 

That totally contradicted my experience the day before performing at Schloss Lüntenbeck (see review of that on next posting). Though I felt bad about it, I withdrew from the workshop and decided to attend the TaPRA conference instead (more on that as well). 

On Zholdak...

As far as I could see grasp the one day I was in the workshop, his director-actor interrelation completely seems to mimick a rather traditional Sado-Masochist relationship, where he is the Dom/Director and the trainee is the Sub/Actor. According to Zholdak the actor enters into an agreement with him at which point he renders him/herself completely. The only thing Zholdak cannot do is physically hurt them or have sex with them, as per this agreement. It is at this point that the actor becomes the director's dog...Literally. As he stated, often part of his training has been keeping actors in kennels, wearing leads, eating and existing on all fours, chasing sticks and this for days at a time. As he sees it, it through the director hating the actor, destroying the actor, killing the actor that he can show him more love than he ever could otherwise. For those of you familiar with the psychology of a true S&M relationship, there are the obvious parallels. I suppose there is some master/servant in all of us. But as that is not my artistic or emotional interest, I found it a bit disconcerting. Plus I was on a spiritual high from the show in Germany and this just did not match that.

There were people though with obvious interest in being, or becoming, the dog. Like I said not for me but surely works for others... Live and let live

Schloss Lüntenbeck

Aug. 31st Lüntenbeck Castle, I will be performing with Lotos Collective in collaboration with Annette Schulze Lohoff.   

http://www.schloss-luentenbeck.de

New Tattoo

Now continue reading:

Aristophanes praise of Love, from Plato's Symposium 360 B.C.E..

I was asked to do a reading at my friends wedding (as Man of Honour) and freely edited a translation into this wee morsel on love, enjoy:

 

In the beginning there was a being that was part man, part woman, and part the union of the two.

This primeval being was round, his back and sides forming a circle; and he had four hands and four feet, one head with two faces, looking opposite ways.

As a single being their might and strength were so strong that they dared to scale heaven, creating fear amongst the gods.

Doubt reigned in the celestial councils. Should they annihilate them, as they had done with the giants, but then there would be an end to the worship which men offered to them;

But then Zeus discovered a way. With his thunderbolts he cut them in two, like an apple which is halved, in order that they be diminished in strength yet increased in numbers.

As he cut them one after another, he asked Apollo to give the half face and neck a turn in order that the new beings might contemplate the section of themselves they had just lost: thus learning a lesson of humility. 

After the division the two parts of the being, each desiring the other half, came together, and throwing their arms about one another, entwined in mutual embraces, longing to grow into one again. So ancient is the desire of one another, reuniting and making one of two, thus healing the state of being.

Each of us when separated are always looking for our other half. And when one of them meets with the other half, the actual half of themselves, the pair are lost in an amazement of Love and friendship and intimacy, and would not be out of the other's sight, even for a moment. These are the people who pass their whole lives together; yet they could not explain what they desire of one another.

If the god of fire Hephaestus arrives to the reunited Lovers and says to them, "What do you mortals want of one another?" they would be unable to explain.

And if in seeing their perplexity he questioned them further: "Do you desire to be completely one; always day and night to be in one another's company? for if this is what you desire, I am ready to weld you into one and let you grow together, so that being two you shall become one for the rest of your lives. Is this the kind of Love you wish?

There is not one of them who when they heard the proposal would deny the possiblity of melting into one, the very expression of their most ancient need. This reuniting of two becoming the whole once again is the culmination of Love leading us in this life back to our own nature, and giving us high hopes for the future.  

This is Artistophanes discourse of Love…

Awarded the Helen Schackleton Fund

This will kick-start post-production on the Ghana doc and hopefully get me to my new live art project (of undisclosed location)   

The Helen Shackleton Fund was established in 2003 following the death of Mr WHJ Richardson. Mr Richardson bequeathed the fund in memory of his late wife neé Constance Helen Rickards Shackleton. Miss Shackleton was a graduate of the College in circa 1929 and died just a few weeks after being married to Mr Richardson in 1943. The fund will be used to support undergraduate or postgraduate students in their studies, usually as a bursary to contribute towards the costs of foreign travel connected to their academic work.

Waterfalls and Shotcrete

Keeping busy (and paying rent) building a series of caves and waterfalls for a new miniature golf site in Wimbledon...  Ahh the joy of shooting concrete from a hose on to mad rebar sculptures.... If you ever need a waterfall and a cave in your garden I’m your man....

Set Build for Ten Men magazine shoot

Built large precarious wood sculptures a few weeks back for photographer Jacob Sutton and Set Designer Hana Al-Sayed. It was nice to drive out to a barn in the Cotswalds and work al fresco, though it was a manure barn and frankly back-breaking work... 

There was a lovely bull to keep me company though so I do have a new friend in the countryside...